"This
is My Body"
by Jonathan Callard
You can find heaven and hell at the corner of 16th and Mission. Bodegas
gleam with fresh bananas and tangerines; sagging, half-naked bodies
surround the subway stairwell. The clumped bodies talk to each other
in the loud, slurred voices of heroin and booze, as if they are the
only ones there and the rest of us do not exist.
I walk north up Mission, then west down 15th. Bodies lean against
the walls in the shadows. A few beckon to me and I avert my eyes. I
find the church at the next block, its fresh coats of paint and neat
white trim overlooking trash-strewn streets.
It is
evening in San Francisco, Maundy Thursday. I’ve just moved
to California, and I’ve seen an ad for a foot-washing service
at a church in the Mission district.
The head priest stands in the center aisle and reads
the story of Jesus washing the disciples’ feet the night before
he died. Jesus did the wrong thing in the wrong place with the wrong
people, the priest
says. Jesus turned everything upside down.
The foot-washing ritual begins at the altar but I remain seated, a
stranger in a strange city. The faded blue running shoes of my seat
mate tap nervously on the marble floor.
“Are you going up?” I ask him.
“No, I’d never be able to get back into my shoes,” he
says.
We stare at a curly-haired woman in a grey business suit. She walks
down the aisle, sits stiffly in a folding chair, and removes her pumps.
A priest kneels before her and lifts her pale foot into a white plastic
bin. Her eyes widen as he douses it with water, massaging it with his
hands. The splashing echoes against the stone walls. It takes forever.
He dries her foot with a white hand towel, cradling it like a baby.
An elderly man, hooded like Obi Wan Kenobi, celebrates communion.
Hours before his own painful death, he reminds us, Jesus gathered his
friends together. Urged them to take and eat the bread. Drink the wine.
This is my body, he told them. Whenever you do this, remember me.
We reach
the altar in waves, forming rings around the celebrants and servers.
When we bow to each other, the circle bends in and out like
a sea anemone. I notice a woman with matchstick legs and a cane, smelling
of the streets. Her stringy dust-mop hair frames a face aging too fast.
Someone steps towards her, offering a golden loaf of bread on a ceramic
plate. She tears off a huge chunk. Her jaw cracks as she chews with
her mouth open. I bury my head in the wide wine goblet, seeking
the red liquid.
We are our bodies, my yoga teacher once said. We tend to forget that
we have them most of the time.
The service
ends. One priest strips the altar in silence. I can hear matchstick-leg
woman breathing, like someone dragging their hands across
a grate.
We fall
into a procession, me and matchstick-leg woman and my sneakers friend
and the woman in pumps and everyone else,
headed toward a smaller
chapel on the side of the church. People will keep watch there every
hour until Easter. Outside the chapel wall, bodies perch on stoops,
and I imagine some with bands around their thigh, a needle jammed into
their flesh, waiting for the drug’s effect.
“Now my tongue, the mystery telling, of the glorious Body sing,” we
chant, just our naked voices, our heads bowed low. If you walked into
the church then, you’d think the blue hymnals were singing, not
us, their spines cracked open and lifted up and forward by our hands.
We step slowly, the march pulling people out of pews, a coiling snake
shedding skin.
Copyright ©2005
Jonathan Callard
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